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5 articles

Digital Music as Artistic Research: Practice, Platforms, and Post-Digital Aesthetics

Triyono Bramantyo

Cultural Arts Research and Development · 14-24 · 10.55121/card.v6i2.102025

This article approaches digital music as a form of artistic research, examining the ways aesthetic value is produced through creative practice, platform-based infrastructures, and post-digital sonic conditions. From a practice-informed standpoint, it understands composition, curation, and technologically mediated listening as pr

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Values as Phenomena of Truth: The Mythopoetic Aesthetics of Thought as Highest Act

Siyana Vitalievna Shchepanovskaya

Cultural Arts Research and Development · 70-86 · 10.55121/card.v6i1.1020

This theoretical-philosophical investigation proposes a synthesis of mythopoetic, phenomenological, and ethical discourses to reconceptualize value-formation. It posits that the “Other” (alterity) operates in a dual capacity: as the radical unknown challenging the Self, and as the elevated dimension within communication where th

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An Analysis of the Aesthetics of Temporal Space in Jia Zhangke's Films in the Perspective of Deleuze's Film- Philosophy

Shuge Xing

Cultural Arts Research and Development · 11-32 · 10.55121/card.v1i1.15

This paper examines Jia Zhangke's aesthetics of time and space based on Deleuze's cinema philosophy as a theoretical foundation. The paper's central thesis is that Jia Zhangke creates an aesthetic of space and time in film through the presentation of temporal images. Through an analysis of Jia Zhangke's The Good Man of Three Gor

Graphical abstract for An Analysis of the Aesthetics of Temporal Space in Jia Zhangke's Films in the Perspective of Deleuze's Film- Philosophy
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The Hybrid Poetological Model in Peter Handke's Work: Intertextuality, Language Innovation and Cultural Border Crossings

Miša Glišič

Cultural Arts Research and Development · 132-144 · 10.55121/card.v5i2.679

This article presents an innovative, Hybrid Poetological Model for analyzing the works of Peter Handke. Drawing on Julia Kristeva’s “Revolution of Poetic Language”, it integrates linguistic, visual and semiotic elements to interpret Handke’s intricate aesthetic and cultural expressions. Focusing on intertextuality, the model exa

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Mamluk Cultural Heritage and Sustainable Tourism: The Interplay of Heritage Value, Cultural Identity, and Behavioral Intentions in Promoting Roots Tourism

Mamdouh Ahmed Mohammed, Hebatallah Ahmed, Gihan Abdelal Sultan, Abdelrahman Ahmed Abdelhai Abdelghani

Cultural Arts Research and Development · 50-62 · 10.55121/card.v4i2.474

This study examines the interplay between heritage value, cultural identity, and behavioral intentions in promoting sustainable roots tourism associated with Egypt’s Mamluk cultural heritage. While scholarly attention has predominantly focused on Egypt’s Pharaonic legacy, Mamluk-era sites (13th–16th centuries)—noted for their sy

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