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3 articles

Representation of the European Woman as an Intercultural Agent in the Western Film Genre: Archetypal and Genre Analysis

Olga Kosachova

Cultural Arts Research and Development · 71-104 · 10.55121/card.v6i2.101915

The Western film genre has long functioned as a marker of American identity, and recent cinematic trends increasingly foreground female protagonists, particularly European women as intercultural agents within frontier narratives. This study investigates the intersection of mythology, archetypes, and Westerns, focusing on the way

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An Analysis of the Aesthetics of Temporal Space in Jia Zhangke's Films in the Perspective of Deleuze's Film- Philosophy

Shuge Xing

Cultural Arts Research and Development · 11-32 · 10.55121/card.v1i1.15

This paper examines Jia Zhangke's aesthetics of time and space based on Deleuze's cinema philosophy as a theoretical foundation. The paper's central thesis is that Jia Zhangke creates an aesthetic of space and time in film through the presentation of temporal images. Through an analysis of Jia Zhangke's The Good Man of Three Gor

Graphical abstract for An Analysis of the Aesthetics of Temporal Space in Jia Zhangke's Films in the Perspective of Deleuze's Film- Philosophy
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Deafness and Sound in Small, Slow but Steady (2022)

Xinyi Wang

Cultural Arts Research and Development · 94-103 · 10.55121/card.v5i2.640

This article focuses on the Japanese contemporary film Small, Slow but Steady and explores how deaf people experience sound physically, through the body. Among contemporary Japanese films that challenge ableist views of deafness, Small, Slow but Steady bridges the gap between hearing and deafness by portraying its deaf protagoni

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