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7 articles

On the Problems of Art with Originality Contexts, Dilemmas, Challenges

Ryszard Solik

Cultural Arts Research and Development · 68-83 · 10.55121/card.v5i2.280

The sketch discusses selected contexts that are decisive for the narrative of the originality of art. These include historical, cultural, and discursive conditions. Hence the diachronic and culturological perspective of the analysis. This results from the confrontation between the past (tradition) and modernity, as well as from

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Aura: An Elusive Concept in Art Theory and Museum Practice

Werner Schweibenz

Cultural Arts Research and Development · 25-42 · 10.55121/card.v6i2.102386

According to Tate’s online glossary Art Terms, aura is a quality integral to an artwork that cannot be communicated through mechanical reproduction techniques. So what happens to the aura in the age of digital reproduction? The paper describes the origin of this concept, which was introduced by the author and art critic Walter B

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Values as Phenomena of Truth: The Mythopoetic Aesthetics of Thought as Highest Act

Siyana Vitalievna Shchepanovskaya

Cultural Arts Research and Development · 70-86 · 10.55121/card.v6i1.1020

This theoretical-philosophical investigation proposes a synthesis of mythopoetic, phenomenological, and ethical discourses to reconceptualize value-formation. It posits that the “Other” (alterity) operates in a dual capacity: as the radical unknown challenging the Self, and as the elevated dimension within communication where th

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Music, Time and Being – The Constitution of the Heideggerian Mousiké

Jose Eduardo Costa Silva, Gilmar Antonio Monte

Cultural Arts Research and Development · 91-100 · 10.55121/card.v5i1.263

This article offers a philosophical reflection on the concept of music within the framework of Martin Heidegger’s thought. It argues that music can be understood as an immediate articulation of time, drawing upon Heidegger’s major works: The Concept of Time, Being and Time, Time and Being, Nietzsche, The Origin of the Work of Ar

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Discussing Social Media Using Affordance of Young Chinese Ethnic Minority Group Users

Lifu Li, Kyeong Kang

Cultural Arts Research and Development · 12-23 · 10.55121/card.v4i1.64

The study explores young Chinese ethnic minority group (EMG) users’ social media using affordance for engagement when they engage in intercultural contact on social media platforms. Grounded on the affordances theory, the relationships between influencing factors and using affordance have been presented in the research framework

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Zhuang Song Preservation Efforts

Gisa Jähnichen, Lin Zhi

Cultural Arts Research and Development · 31-38 · 10.55121/card.v3i2.81

Songs are at the centre of music transmission in many educational institutions around the world. People in China say ‘song’, but they may mean “music and dance” or they just mean all consciously produced sounds they are confronted with in their daily lives, such as rap coming out of a technical device or the noise of birds aroun

Graphical abstract for Zhuang Song Preservation Efforts
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Charlotte Brontë’s Jane Eyre in Danish: An Analysis of Translators’ Practice

Ebbe Klitgård

Cultural Arts Research and Development · 57-60 · 10.55121/card.v2i2.35

In this article the Danish translations of Charlotte Brontë’s Jane Eyre (1847) are discussed, focusing on the two most often reprinted Danish translations from respectively 1850 and 1944, while treating in less detail the remaining five translations of Jane Eyre. The approach is analytical, and the aim is to provide original res

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