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6 articles

Article

Open AccessPublished: 23 September 2025

Deafness and Sound in Small, Slow but Steady (2022)

Xinyi Wang

Cultural Arts Research and Development · 94-103 · 10.55121/card.v5i2.640

This article focuses on the Japanese contemporary film Small, Slow but Steady and explores how deaf people experience sound physically, through the body. Among contemporary Japanese films that challenge ableist views of deafness, Small, Slow but Steady bridges the gap between hearing and deafness by portraying its deaf protagoni

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Article

Open AccessPublished: 13 June 2026

Digital Music as Artistic Research: Practice, Platforms, and Post-Digital Aesthetics

Triyono Bramantyo

Cultural Arts Research and Development · 14-24 · 10.55121/card.v6i2.102025

This article approaches digital music as a form of artistic research, examining the ways aesthetic value is produced through creative practice, platform-based infrastructures, and post-digital sonic conditions. From a practice-informed standpoint, it understands composition, curation, and technologically mediated listening as pr

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Article

Open AccessPublished: 15 June 2026

Aura: An Elusive Concept in Art Theory and Museum Practice

Werner Schweibenz

Cultural Arts Research and Development · 25-42 · 10.55121/card.v6i2.102386

According to Tate’s online glossary Art Terms, aura is a quality integral to an artwork that cannot be communicated through mechanical reproduction techniques. So what happens to the aura in the age of digital reproduction? The paper describes the origin of this concept, which was introduced by the author and art critic Walter B

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Article

Open AccessPublished: 9 October 2025

The Hybrid Poetological Model in Peter Handke's Work: Intertextuality, Language Innovation and Cultural Border Crossings

Miša Glišič

Cultural Arts Research and Development · 132-144 · 10.55121/card.v5i2.679

This article presents an innovative, Hybrid Poetological Model for analyzing the works of Peter Handke. Drawing on Julia Kristeva’s “Revolution of Poetic Language”, it integrates linguistic, visual and semiotic elements to interpret Handke’s intricate aesthetic and cultural expressions. Focusing on intertextuality, the model exa

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Article

Open AccessPublished: 18 June 2025

Music, Time and Being – The Constitution of the Heideggerian Mousiké

Jose Eduardo Costa Silva, Gilmar Antonio Monte

Cultural Arts Research and Development · 91-100 · 10.55121/card.v5i1.263

This article offers a philosophical reflection on the concept of music within the framework of Martin Heidegger’s thought. It argues that music can be understood as an immediate articulation of time, drawing upon Heidegger’s major works: The Concept of Time, Being and Time, Time and Being, Nietzsche, The Origin of the Work of Ar

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Article

Open AccessPublished: 16 November 2023

Zhuang Song Preservation Efforts

Gisa Jähnichen, Lin Zhi

Cultural Arts Research and Development · 31-38 · 10.55121/card.v3i2.81

Songs are at the centre of music transmission in many educational institutions around the world. People in China say ‘song’, but they may mean “music and dance” or they just mean all consciously produced sounds they are confronted with in their daily lives, such as rap coming out of a technical device or the noise of birds aroun

Graphical abstract for Zhuang Song Preservation Efforts

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