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2 articles

Zhuang Song Preservation Efforts

Gisa Jähnichen, Lin Zhi

Cultural Arts Research and Development · 31-38 · 10.55121/card.v3i2.81

Songs are at the centre of music transmission in many educational institutions around the world. People in China say ‘song’, but they may mean “music and dance” or they just mean all consciously produced sounds they are confronted with in their daily lives, such as rap coming out of a technical device or the noise of birds aroun

Graphical abstract for Zhuang Song Preservation Efforts
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An Analysis of the Aesthetics of Temporal Space in Jia Zhangke's Films in the Perspective of Deleuze's Film- Philosophy

Shuge Xing

Cultural Arts Research and Development · 11-32 · 10.55121/card.v1i1.15

This paper examines Jia Zhangke's aesthetics of time and space based on Deleuze's cinema philosophy as a theoretical foundation. The paper's central thesis is that Jia Zhangke creates an aesthetic of space and time in film through the presentation of temporal images. Through an analysis of Jia Zhangke's The Good Man of Three Gor

Graphical abstract for An Analysis of the Aesthetics of Temporal Space in Jia Zhangke's Films in the Perspective of Deleuze's Film- Philosophy
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