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Things Fall Apart in the Well of Lost Plots... Stories... Clues... Signs… Symbols... Meanings: A Philosophical Formalist Hermeneutic on Thomas Pynchon’s “The Crying of Lot 49”

Alvin Servaña

Philosophy and Realistic Reflection · 141–149 · 10.55121/prr.v2i1.467

Using Philosophical Formalism, I am executing a close textual examination of Thomas Pynchon’s “The Crying of Lot 49” as a “postmodern” novel. By looking into the implications of genre and/into the supposed self-aware critico-novelistic vision of Pynchon, I cascaded this critique as follows: Part 1: the semiotic/semiological text

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