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16 articles
ArticleOpen AccessPublished: 18 June 2025

Music, Time and Being – The Constitution of the Heideggerian Mousiké

Jose Eduardo Costa Silva, Gilmar Antonio Monte

Cultural Arts Research and Development · 91-100 · 10.55121/card.v5i1.263

This article offers a philosophical reflection on the concept of music within the framework of Martin Heidegger’s thought. It argues that music can be understood as an immediate articulation of time, drawing upon Heidegger’s major works: The Concept of Time, Being and Time, Time and Being, Nietzsche, The Origin of the Work of Ar

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ReviewOpen AccessPublished: 9 August 2024

Maritime Mobility of Music Features within South and Southeast Asia

Gisa Jähnichen

Cultural Arts Research and Development · 71-79 · 10.55121/card.v2i2.38

The maritime routes in and between South and Southeast Asia were the main routes of the first interconnections leading to current globalization effects among different locations in the area using the sea as transportation basis. It is very important to not only follow migration routes, but mainly trade routes to understand these

Graphical abstract for Maritime Mobility of Music Features within South and Southeast Asia
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ArticleOpen AccessPublished: 9 August 2024

An Analysis of the Aesthetics of Temporal Space in Jia Zhangke's Films in the Perspective of Deleuze's Film- Philosophy

Shuge Xing

Cultural Arts Research and Development · 11-32 · 10.55121/card.v1i1.15

This paper examines Jia Zhangke's aesthetics of time and space based on Deleuze's cinema philosophy as a theoretical foundation. The paper's central thesis is that Jia Zhangke creates an aesthetic of space and time in film through the presentation of temporal images. Through an analysis of Jia Zhangke's The Good Man of Three Gor

Graphical abstract for An Analysis of the Aesthetics of Temporal Space in Jia Zhangke's Films in the Perspective of Deleuze's Film- Philosophy
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ArticleOpen AccessPublished: 16 November 2023

Zhuang Song Preservation Efforts

Gisa Jähnichen, Lin Zhi

Cultural Arts Research and Development · 31-38 · 10.55121/card.v3i2.81

Songs are at the centre of music transmission in many educational institutions around the world. People in China say ‘song’, but they may mean “music and dance” or they just mean all consciously produced sounds they are confronted with in their daily lives, such as rap coming out of a technical device or the noise of birds aroun

Graphical abstract for Zhuang Song Preservation Efforts
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ArticleOpen AccessPublished: 1 May 2026

Medieval Mystical Narratives as Pre-Modern Utopias: New Conceptualizations of the Religious Experience by Mechthild von Magdeburg and Angela da Foligno

Albrecht Classen

Cultural Arts Research and Development · 1-13 · 10.55121/card.v6i2.1150

Older research had traditionally assumed that the genre of utopias emerged only with Thomas Morus’s Utopia (1516), that is, at a time when the concept of the early modern nation had reached maturity and when intellectuals began to question the political status quo, looking for political and social alternatives in a future or pro

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ArticleOpen AccessPublished: 3 February 2026

Emergence: A Parameter of the Effectiveness of Artistic Creativity—A Study of Dance Improvisation

Alessandra Florentina Randazzo

Cultural Arts Research and Development · 33-45 · 10.55121/card.v6i1.878

When discussing artistic improvisation, effectiveness is generally dismissed for at least two main reasons. On the one hand, an improviser cannot anticipate the appropriate means to achieve an end that, by definition, they do not set in advance—hence the inherent risk of failure. On the other hand, an improviser does not aim to

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ArticleOpen AccessPublished: 18 November 2025

Contextualizing the Socio-Economic Dimensions of Panta Bhat: Tracing Its Culinary Heritage in Bengali Literary Landscapes

Sanjoy Jana, Antareepa Mandal

Cultural Arts Research and Development · 185-196 · 10.55121/card.v5i2.669

In the fabric of socio-economic dynamics, Panta Bhat (Fermented Rice) is considered a traditional food item among the rural communities of Eastern India, especially in the states of West Bengal, Odisha, and Chhattisgarh, known by different names such as Panta Bhat, Pakhala, and Basi, respectively. With the rising awareness of fo

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ArticleOpen AccessPublished: 13 November 2025

Questioning Canvas Capital: Risks and Resilience in Art Markets

G.-Fivos Sargentis, Nikolaos Papadodimas

Cultural Arts Research and Development · 167-184 · 10.55121/card.v5i2.720

Art has transitioned from a medium of ideological expression and patronage in historical contexts to a formalized financial asset within the modern global market. This paper examines historical paradigms of art investment, analyzing patronage models from ancient civilizations to the Renaissance and into the contemporary era, whi

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ArticleOpen AccessPublished: 26 October 2025

Slow Looking at Artworks in the Museum Context—Exploration of the Viewers’ Observations with Reflexive Thematic Analysis

Kristina Timonen

Cultural Arts Research and Development · 145-166 · 10.55121/card.v5i2.680

Art can serve as a contextual element and promote wellbeing. Meanings derived from artworks are related to, for instance, cultural backgrounds, languages, mood and viewing technique. This study focused on art viewers’ experiences, and the participants were picked with different cultural backgrounds, mood settings and spoken lang

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ArticleOpen AccessPublished: 22 September 2025

Transcendental Poetry in the Baroque Period: Angelus Silesius’s Religious and Philosophical Epigrams as Reflections About the Self and the Divine

Albrecht Classen

Cultural Arts Research and Development · 84-93 · 10.55121/card.v5i2.656

One of the greatest poets of epigrams, Angelus Silesius, was not only highly famous for his short stanzas written in the latter half of the seventeenth century. He also exerted, both during his lifetime and then during his posterity, and thus until today, a deep influence on poetry, philosophy, and theology. But his epigrams are

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