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13 articles

Values as Phenomena of Truth: The Mythopoetic Aesthetics of Thought as Highest Act

Siyana Vitalievna Shchepanovskaya

Cultural Arts Research and Development · 70-86 · 10.55121/card.v6i1.1020

This theoretical-philosophical investigation proposes a synthesis of mythopoetic, phenomenological, and ethical discourses to reconceptualize value-formation. It posits that the “Other” (alterity) operates in a dual capacity: as the radical unknown challenging the Self, and as the elevated dimension within communication where th

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Systematic combing of Hemudu cultural symbols and analysis of modern value

Gaoshen Wang, Weichen Jia

Cultural Arts Research and Development · 106-117 · 10.55121/card.v5i1.338

This study presents a systematic investigation into the symbolic system of Hemudu culture, aiming to construct a comprehensive classification framework and explore the potential for modern reinterpretation and application. Drawing on an interdisciplinary methodology, we utilized bibliometric analysis via VOSviewer (v1.6.19), tex

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Mamluk Cultural Heritage and Sustainable Tourism: The Interplay of Heritage Value, Cultural Identity, and Behavioral Intentions in Promoting Roots Tourism

Mamdouh Ahmed Mohammed, Hebatallah Ahmed, Gihan Abdelal Sultan, Abdelrahman Ahmed Abdelhai Abdelghani

Cultural Arts Research and Development · 50-62 · 10.55121/card.v4i2.474

This study examines the interplay between heritage value, cultural identity, and behavioral intentions in promoting sustainable roots tourism associated with Egypt’s Mamluk cultural heritage. While scholarly attention has predominantly focused on Egypt’s Pharaonic legacy, Mamluk-era sites (13th–16th centuries)—noted for their sy

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Digital Music as Artistic Research: Practice, Platforms, and Post-Digital Aesthetics

Triyono Bramantyo

Cultural Arts Research and Development · 14-24 · 10.55121/card.v6i2.102025

This article approaches digital music as a form of artistic research, examining the ways aesthetic value is produced through creative practice, platform-based infrastructures, and post-digital sonic conditions. From a practice-informed standpoint, it understands composition, curation, and technologically mediated listening as pr

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How Does Palestinian Popular Culture Shape and Influence Leadership Imagery?

Raed Atef

Cultural Arts Research and Development · 59-69 · 10.55121/card.v6i1.674

This study explores how Palestinian proverbs shape leadership imagery within a sociopolitical context defined by resistance, occupation, and national struggle. Drawing on an interdisciplinary cultural studies framework, it examines proverbs not merely as linguistic expressions but as symbolic, aesthetic, and performative artifac

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Sustainability of African Cultural Epistemology through Cultural Re-Appropriation in Selected Works of Emerging African Scholars

Nombeko Penelope Mpako

Cultural Arts Research and Development · 46-58 · 10.55121/card.v6i1.1057

This article explores indigenous cultural epistemology rooted in African culture and tradition through cultural re-appropriation presented in selected research projects by emerging African scholars. It seeks to contribute to the sustainable development of African knowledge systems and how they can be integrated into contemporary

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Negotiating Autonomy: A Narrative Analysis of Women’s Agency and Capital during the Tang Dynasty in Chinese History

Jing Hou, Xiaoming Tian, Zeyu Zhang

Cultural Arts Research and Development · 1-14 · 10.55121/card.v6i1.1017

This study investigates the agency of women in the Tang Dynasty through Pierre Bourdieu’s theoretical framework of agency and capital, using three female figurines from the Shaanxi History Museum as primary objects of analysis. Depicting women in elaborate makeup, on horseback, and in men’s clothing, these figurines are examined

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Questioning Canvas Capital: Risks and Resilience in Art Markets

G.-Fivos Sargentis, Nikolaos Papadodimas

Cultural Arts Research and Development · 167-184 · 10.55121/card.v5i2.720

Art has transitioned from a medium of ideological expression and patronage in historical contexts to a formalized financial asset within the modern global market. This paper examines historical paradigms of art investment, analyzing patronage models from ancient civilizations to the Renaissance and into the contemporary era, whi

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The Path of AIGC Helping Construct Cultural Digital IPs --Taking the Construction of Hemudu Digital Cultural IP as an Example

Han Lin, Weichen Jia

Cultural Arts Research and Development · 1-13 · 10.55121/card.v5i2.341

In the context of the digital era, cultural IP design faces the dual challenge of the constraints of traditional creative forms and the imperative for innovative breakthroughs. This paper takes Hemudu culture as the research subject and explores the application path of artificial intelligence generated content (AIGC) technology

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Some New Remarks on the Egyptian Word “ššt“ in Urk IV, 1938, 4

Stefan Bojowald

Cultural Arts Research and Development · 101-105 · 10.55121/card.v5i1.282

This essay makes a renewed attempt to explain the Egyptian word “ššt“ from Urk IV, 1938, 4. The word appears there next to the “ḏcm“-gold. The investigation thus has a philological focus. The study of philological questions traditionally promises the most benefits in Egyptology. The topic has been rarely addressed in previous re

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