The Path of AIGC Helping Construct Cultural Digital IPs --Taking the Construction of Hemudu Digital Cultural IP as an Example

Authors

  • Han Lin

    The School of Media and Law, NingboTech University, 315199, China

  • Weichen Jia *

    The School of Media and Law, NingboTech University, 315199, China

DOI:

https://doi.org/10.55121/card.v5i2.341

Keywords:

AIGC Technology, Cultural IP Transformation Path, Media Culture

Abstract

In the context of the digital era, cultural IP design faces the dual challenge of the constraints of traditional creative forms and the imperative for innovative breakthroughs. This paper takes Hemudu culture as the research subject and explores the application path of artificial intelligence generated content (AIGC) technology in digital cultural IP design. Combining cultural gene decoding by multimodal technology, the research utilizes AI language model to assist in building digital cultural IP that possesses robust narrative capabilities, aesthetic expressiveness, and formal innovation. During the design process, by tapping into the deep historical and artistic value of Hemudu culture, the deep integration of culture and technology is successfully realized, and a series of digital cultural IP design results with visual appeal and cultural connotation are initially formed. AIGC technology streamlines and enhances the efficiency of digital cultural IP design, enriches its forms, and empowers the development of digital culture IP industry. The study shows that AIGC technology can significantly improve the efficiency and creativity of digital culture IP design, providing new momentum for the cultural industry. It also reveals the key challenges of standardization and sustainability in the application of the technology. The study provides practical references and theoretical support for promoting the innovative development of digital culture IP industry

References

[1] Yu, F., 2024. Cultural inheritance, content evolution and digital transformation: The media production practice of Chinese traditional cultural IP from the perspective of The Legend of the White Snake. Journal of Social Science of Hunan Normal University. 53(4), 140–147.

[2] Huang, J.N., 2024. Research on the design of museum cultural and creative IP images in the digital context[in Chinese]. Hunan Packaging. 39(6), 50–53, 65. DOI: https://doi.org/10.19686/j.cnki.issn1671-4997.2024.06.012

[3] Li, H.X., Dai, Z.J., 2024. Digital empowerment of the publication and communication of excellent traditional Chinese culture[in Chinese]. Jiaying Literature. 23, 112–114.

[4] Song, X.Q., Hao, X.Y., 2023. "IP + digitalization": The development path of urban museums[in Chinese]. Southeast Communication. 4, 112–115. DOI: https://doi.org/10.13556/j.cnki.dncb.cn35-1274/j.2023.04.027

[5] Wang, N., Wu, J.F., Song, D.Y., 2023. Research on the digital archiving and services of intangible cultural heritage based on the development of cultural and creative IP products: A case study of traditional pattern motifs. Archives Management. 4, 61–63. DOI: https://doi.org/10.15950/j.cnki.1005-9458.2023.04.008

[6] Hu, Y., 2024. The symbiotic relationship between the digitalization of the intangible cultural heritage-themed IP Phoenix Coronet and the contemporary young audience[in Chinese]. Art Education Research. (4), 54–56. Available from:

[7] Xu, S., 2024. Communication strategies of traditional cultural IP in the digital context[in Chinese]. Digital Communication. (9), 46–48.

[8] He, S.Q., Wu, J.J., Qin, J.Y., 2025. How designers collaborate with AI – Exploring the teaching model of design workshops empowered by AIGC[in Chinese]. Art & Design Research (Chinese and English). 1, 123–129, 144.

[9] Han, K., 2022. The new visual expression of Chinese traditional auspicious culture IP [Master’s Thesis]. Beijing, China: Beijing Institute of Graphic Communication. Available online: https://link.cnki.net/doi/10.26968/d.cnki.gbjyc.2022.000027 (cited 16 July 2025)

[10] Dai, J.B., 2023. Research on the design of pixel-style digital personal IP images [Master’s Thesis]. Dalian, China: Liaoning Normal University. Available online: https://link.cnki.net/doi/10.27212/d.cnki.glnsu.2023.000823 (cited 16 July 2025)

[11] Guo, Y., Lu, Y., 2024. Application and challenges of AIGC technology in IP image design[in Chinese]. Screen Printing Industry. 9, 17–19.

[12] Zhao, H.R., Dang, H., Zhao, J.F., 2022. The perception of the consumption experience value of digital exhibitions of cultural relics IP in the new era – A review of The Digital Road of Museums[in Chinese]. China Sciencepaper. 17(11), 1322.

[13] Fu, R.C., 2024. The visual translation and communication strategies of image IP in the digital age[in Chinese]. Zhejiang Arts and Crafts. 1, 73–75.

[14] Zhao, X.P., 2024. Communication strategies of excellent traditional Chinese culture. China Newspaper Industry. 22, 188–189. DOI: https://doi.org/10.13854/j.cnki.cni.2024.22.107

[15] Zhang, H.J., 2024. Precise implementation of the digital protection and communication of excellent traditional Chinese culture. Heilongjiang Daily.3. DOI: https://doi.org/10.28348/n.cnki.nhjrb.2024.005713

[16] Fan, Q.C., 2024. Enhancing the digital interactive experience of museum mobile terminals based on “IP-type virtual humans” [Master’s Thesis]. Shanghai, China: Donghua University.

[17] Liu, L., Yan, Y.B., 2022. Analysis of the digital development and promotion strategies of the Shan Hai Jing IP for teenagers[in Chinese]. Data. 10, 13–16.

[18] Guo, J.W., Tian, T., Wang, Z.C., 2025. The development and application of traditional patterns of the Bohai State based on AIGC technology[in Chinese]. Tian Gong. 7, 24–27.

[19] Liu, X.Y., Tian, X.Y., 2025. The application of AIGC technology in the innovative design of Shu embroidery culture. Shanghai Packaging. 2, 32–34. DOI: https://doi.org/10.19446/j.cnki.1005-9423.2025.02.007

[20] Wang, S.S., 2025. The application of AIGC technology in footwear design. China Leather. 1–5. DOI: https://doi.org/10.13536/j.cnki.issn1001-6813.2025-003-018

[21] Li, X.X., Li, J., 2024. The application of traditional cultural IP in the development of the cultural and tourism industry. Henan Economic Daily. 4. DOI: https://doi.org/10.28362/n.cnki.nhncx.2024.000734

[22] Huang, F.R., Tu, S.Q., Wang, X.T., 2023. “Culture + Scene”: The development path of cultural and tourism integration and digital communication practice – Taking the creation of the Jingchu cultural IP in the Hubei Pavilion of the Second Cultural Expo as an example[in Chinese]. News Front. 13, 25–28.

[23] Chen, L., 2022. Cross-category, cross-industry and cross-media: The digital transformation of the development of cultural and museum-related IP[in Chinese]. News Front. 23, 64–65.

[24] Wang, Y.L., 2023. New progress in the archaeological research of Hemudu culture since the 21st century. Eastern Archaeology. 1, 50–63.

[25] Fang, Q.J., 2024. Facing the sea, the flower of Hemudu culture blooms. Ningbo Newsletter. 10, 20–22. DOI: https://doi.org/10.16710/j.cnki.cn33-1272/d.2024.10.007

[26] Li, J.Y., 2024. The cross-media narrative of cultural and tourism IP from the perspective of digital communication – Taking Wudang Mountain as an example. New Media Research. 10(24), 7–10. DOI: https://doi.org/10.16604/j.cnki.issn2096-0360.2024.24.001

[27] Wang, N., Ling, D., Fang, S.Y., et al., 2024. Series silk has the gift of digital IP empowers traditional non-heritage to tell the story of silk with Chinese characteristics. Silk Screen Printing. 7, 94–96. DOI: https://doi.org/10.20084/j.cnki.1002-4867.2024.07.025

[28] Ge, S.C., 2023. Research on IP-based development of traditional culture in China under digital technology [Master’s Thesis]. Jinan, China: Shandong Academy of Arts. DOI: https://doi.org/10.27281/d.cnki.gsdyc.2023.000018

[29] Xie, X.F., Zhu, X.L., 2023. Research on the innovation of digital culture production mode empowered by AIGC in the era of “Intelligence+”[in Chinese]. Fujian Forum (Humanities and Social Sciences Edition). 8, 16–29.

[30] Wang, Z., 2024. The influence of Hemudu primitive art on modern aesthetics[in Chinese]. Art Panorama. 32, 107–109.

[31] Yu, B., 2024. Research on the construction of the genealogy of Hemudu culture and its design translation. Art and Design (Theory). 2(11), 53–55. DOI: https://doi.org/10.16824/j.cnki.issn10082832.2024.11.010

[32] Dai, J.X., Sun, S., 2025. Research on the packaging design of Hemudu products in the narrative context[in Chinese]. China Packaging. 45(2), 82–84.

[33] Li, W., 2025. AIGC-generated cultural and creative design of Han embroidery[in Chinese]. Dyeing and Finishing Technology. 47(1), 131.

[34] Ge, X.H., 2025. AIGC integrates into Wenzhou intangible cultural heritage culture to empower packaging design[in Chinese]. China Packaging. 45(2), 66–68.

[35] Yu, J.Q., 2024. Research on the international communication path of excellent traditional Chinese culture in the context of globalization[in Chinese]. News and Culture Construction. 20, 61–63.

[36] Liu, J., 2025. Exploration of the innovative paths for the publication and communication of excellent traditional Chinese culture. Journal of Culture[in Chinese]. 1, 39–42.

[37] Du, Y.L., 2025. The activation of excellent traditional Chinese culture based on the digital and intelligent development of archives. Shanxi Archives[in Chinese]. 2, 133–135.

[38] Deng, Y., 2024. Clothing design in the era of generative artificial intelligence. Western Leather. 46(18), 12–14. DOI: https://doi.org/10.20143/j.1671-1602.2024.18.012

[39] Sang, Y.Y., 2025. Exploring the teaching case of AIGC-digital innovation AI painting elective course. China Modern Educational Equipment. 4, 5–8. DOI: https://doi.org/10.13492/j.cnki.cmee.2025.04.015

[40] Dai, Z.Z., Xu, H., Liu, K.K., et al., 2025. The innovative path of AIGC technology empowering the transformation and upgrading of the jade-carving industry – Exploring the balance between technology integration and cultural inheritance[in Chinese]. Tian Gong. 6, 28–30.

Downloads

How to Cite

Lin, H., & Jia, W. (2025). The Path of AIGC Helping Construct Cultural Digital IPs --Taking the Construction of Hemudu Digital Cultural IP as an Example. Cultural Arts Research and Development, 5(2), 1–13. https://doi.org/10.55121/card.v5i2.341

Downloads

Download data is not yet available.